Along with the release of my album Sampled Library, I wanted to write up some thoughts about sampling I’ve had kicking around my head. The sampler is a relatively recent invention: showed up in the late 60s, affordable by plonkers in the 80s, and gutted by legal nonsense the 90s. In between the last two […]
Watching unwieldy conglomerates on Twitter is like witnessing an elephant being harassed by a swarm of flies. Twitter belongs to the masses, and when Grocter-OmniLever, Inc. serves up one of its marketing droids to be sacrificed on the altar of consumer discontent, it’s satisfyingly messy — but also, more of a distraction than a solution. […]
Saying reverb is important to music production is like saying that Jesus is “kind of popular”: the level of passion can’t be stated plainly; it demands some sort of humorous understatement. So, as I’ve just finished a tune-up on my custom spring reverb, I figured I’d write about it! I previously covered Impulse Reverb (a.k.a. […]